As is true for many elements in the sewing process, the starting point of drafting a sewing pattern from scratch really depends on you. Mainly, how you like to work, and what basic patterns you have on hand to use for generating the updated patterns. The more basic the original sewing patterns are, the easier it will be to draft the new design (depending on what said design is, of course). Drafting a Sewing Pattern From Scratch: Where And How To StartI personally work from a very basic set of patterns called blocks or slopers (in the industry). These are very simple, basic patterns that are form fitted to size (a Medium is usually a good starting point). Conventionally, slopers include darts, a high unaltered neckline and separate matching sleeve patterns. You can then manipulate these basic blocks into whatever design you want either by the slash and spread method or simply generating new seamlines from the existing ones.
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When I first started sewing years ago, I was completely perplexed (and intimidated) by the idea of finishing and sealing lining edges. You know the lining style I'm talking about? The kind where the lining is sewn shut without a visible sign or obvious opening. It used to confuse me to no end! Fast forward 10 years later, and sewing lining has become one of my favorite finishes due to both its simplicity and clean quality. Although this tutorial deals specifically with enclosing and sealing lining edges into a zippered blouse, it is imperative to first learn how to attach the lining itself. If you are unfamiliar with the process, check out this tutorial- Video Tutorial: How To Sew Full Lining To A Fitted Blouse With Darts The blouse I'm working with is fully lined and has a hem facing. Before finishing the blouse hem itself, I attached the hem facing to the lining layer at the bottom. As an alternative, if you have a hem facing, you can sew it into the bottom of the blouse first after which you can connect it to the bottom edge of the lining. Some may argue this is a better technique, but I find that sealing the lining to the very bottom edge of the blouse hem is a bit more simple On that same note, if your garment has a zipper, whether along the sides seam (like in this case) or any other seam (center back, center front, etc.) make sure the zipper is fully stitched into the blouse layer first before finishing the lining to the zipper tape.
On-seam pockets are a staple of functionality. Whether used on casual garments or formal styles, they are undeniably a valuable asset to the garment's versatility. I find myself adding pockets to any design I sew from scratch, any chance I get. They are fairly easy to pattern and sew, elevating the garment with the addition of just a few simple steps. On-seam pockets have now become somewhat essential to me. I don't know about you, but I'm always instinctively searching for pockets to house my keys or phone when I'm out and about (doing a million things at once). The simplicity of sewing on-seam pockets is often contingent on your sewing pattern. If you start off with a good, clear pocket pattern, the rest is easy to complete. There are a variety of different pocket bag shapes and styles you could choose from, but in this tutorial, I'll work from a skirt pattern to draft a simple, round pocket bag. When drafting pocket patterns, it is easiest to use the main pattern of the clothing item (you are adding the pocket to) as a blueprint. You will be using the actual seam (on the pattern) to generate the pocket pattern. My skirt will have a pocket on one side seam, thus I'll draw the actual pocket bag pattern directly on the main skirt pattern using the skirt's side seam as a guide. This technique works for any clothing item whether a skirt, dress or pants as long as you work directly on the seamline of the main pattern, at the exact desired location of the pocket. To get more clarity, follow the steps in the video tutorial above and/or the step-by step breakdown below. By the way, stay tuned to learn how to then sew this pocket in a video tutorial to come! Deciding The Pocket Location And Marking Its OpeningFirst and foremost, let's decide on the pocket's location. Although you could technically place it just about anywhere along the seam, keep in mind the pocket's optimal functionality. You want to be able to comfortably insert your hand and easily retrieve (or place) items in without any discomfort.
The best way to measure how far down to place an on-seam pocket is to measure its opening in relation to the waistline location on the pattern. This rule applies specifically to pockets sewn into the side seam, which technically is the most common application. As a general rule, the side seam pocket should open starting at about 3-5" down from the waistline. For optimal comfort, the pocket opening itself should be about 5-5 1/2" inches long, although that varies depending on your specifications (and type of pocket). Every time I do a tutorial about invisible zippers, I spend the first paragraph talking about their convenience and how much I love using them. This time around, I'll (try to) spare you the long praise- well, aside from telling you that invisible zippers are probably one of the best inventions in dressmaking. In a previous sewing tutorial, I introduced you to the basics of sewing an invisible zipper using a regular zipper presser foot on your sewing machine (not invisible zipper foot). In this video tutorial, I'll walk you through an actual application of an invisible zipper into the side seam of a lined blouse. This application is widely used with form fitted woven dresses, especially those that are more formal and tailored. While my invisible zipper will be sewn into the side seam, you can use the same technique to apply it to any regular seam. It is called invisible for reason- When closed, invisible zippers blend into the seam, becoming essentially unnoticeable on the outside of the garment. This characteristic makes it ideal for a quick, clean garment closure that doesn't alter its design.
Its simplicity doesn't require any special seam manipulation aside from the necessity of a seam allowance that matches the invisible zipper tape. In most cases, the seam that will house the invisible zipper should have anywhere from 1/2" to 5/8" seam allowance, depending on the width of the zipper tape being used. The reason seam allowance is important with this type of zipper application is that for best (easiest) results, the zipper tape edges should be aligned with each corresponding seam allowance edges such that when closed, the zipper blends evenly into the seam without altering its fit or size. If you are a sewing beginner, the notion of sewing lining can be just as much confusing as rewarding when trying to fit all those fabric pieces together like a puzzle. The confusion often stems from the fact that there are various techniques you can use to fully line a garment, and honestly, all of them are usually correct. Sewing is not as black and white as you may think, and there are often a variety of different methods for achieving the same task. So before we get started, remove the notion that you have to sew lining using a single technique. Obviously, you want to choose the one that is easiest and most logical for the project at hand, but it's OK if you reverse the steps or switch up the rules a bit. In this tutorial, I'll show you the easiest technique for fully lining a sleeveless fitted blouse (with darts). This technique works only if you have a front or back seam that completely separates. Normally, a non-stretch woven garment that is lined will require some form of closure like a zipper, buttons, snaps etc. Zipper closures, of course, are simple and the most widely used so you can expect to have one down the center back seam in most form fitted, lined garments.
The blouse I'm lining in this tutorial is a crop top part of this sewalong in the making. This little crop top completes a two-piece cocktail dress that features a more tailored style. Naturally, a tailored garment is best finished with lining as it provides structure and emphasizes its clean lines. Video Tutorial: How To Draft A Sewing Pattern For A Non-Stretch Skirt Waistband (Faced Style).1/14/2019 Time for another patterning tutorial! I know drafting patterns is not exactly the most exciting topic, but if you really want to learn to how to design and make your own clothing, it is an essential tool in dressmaking. Learning some basic pattern drafting concepts is not only beneficial for those that want to construct the entire style from scratch, but also in the process of adjusting and altering store-bought, commercial patterns. As you become a more experienced sewist, you'll find yourself needing to do the latter a lot more than you may think. In this tutorial I'll walk you through an easy technique for drafting a non-stretch skirt waistband pattern. The same technique is applicable to other bottoms like trousers, shorts, and various other skirt styles. In this case, I'm working with a basic skirt pattern which has two darts at the front and two at the back. Due to the fact that both right and left sides of this basic skirt are symmetrical, the pattern in this tutorial is a cut on fold style. This means that I'll be working with only one side of the front skirt pattern (left) with the center front line serving as the cut on fold edge (the same applies to the back pattern piece). The center front and center back lines are the straight vertical lines that go down the very center of the front and respectively the back of a sewing pattern, dividing each (front and back) into two symmetrical sides. If you are working with a full pattern, you can still follow the steps described below to draft the waistband. Regardless of whether it is a cut on fold pattern or a full pattern, the center front and center back lines are an essential element to use in the process as it provides a guide to help you draft a perfectly symmetrical waistband (as you'll see below).
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The Blog:A journey into our design process, sewing tutorials, fashion tips, and all the inspiring people and things we love. Doina AlexeiDesigner by trade and dressmaker at heart. I spend most of my days obsessing over new fabrics and daydreaming new ideas. Sadie
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